CW shows scare the crap out of me.
No, seriously. They legitimately
terrify me. My loving and wonderful girlfriend (this compliment is to balance
out the right bollocking that I’m about to give her favorite show) watches
their show The Vampire Diaries and
whenever I catch a few minutes of it, I have to spend the next several seconds
pouring salt to my retinas to burn the images away. Vampire Diaries, however, is
the perfect CW show because it exemplifies all of the things that CW does
incredibly wrong that apparently still wins them viewership. It’s got inane
dialogue, implied sexual tension between pretty much every character in the
show, and a dramatic moment or a cliffhanger approximately every minute and
thirty-six seconds, because that is apparently how long it takes someone to
grab the remote control and fling it at high velocity towards the offending
images – and that small “oh, what happens next?” feeling is the only preventative
measure for such an act.
This solution actually works with all kinds of vampires. Try it next time Twilight's on. |
The sad thing? It works!! More than
once I have found myself glued to the screen because the blonde vampire can’t
find her werewolf lover’s keys and … if he doesn’t have his keys, the whole
bloody world will explode from a vampire orgy fest… You know, I think I may be remembering
this episode wrong. My point is that you can’t help yourself become
semi-addicted to the inane babble pouring out of the television because of some
completely made up and unlikely consequence. But, the worst thing, the very
worst thing, is what my girlfriend and I have classified as CW syndrome. So
many shows do it now, but the CW has raised this unfortunate syndrome to an art
form. Besides them all being vampires or werewolves or whatever else, all the
characters on Vampire Diaries have an
additional superpower. They are all supernaturally attractive.
The real reason why vampires don't go out in sunlight: all of their plastic parts melt. |
The main cast of Vampire Diaries
is a tour de force of attractiveness. The
‘older’ characters are even funnier: they’re not pictured, but they look like
they’ve got about five years max on the teenagers and they are also superhumanly
sexy. It’s not just their bodies either. Every female character is wearing
miniskirts and tank tops and slinky dresses every single episode… and the men
seem to forget the usefulness of shirts. Every single character, even the minor
parts and the extras, is a man or woman who is far more beautiful than one
could manage without a little TV magic. The whole thing is made even more
ridiculous by the fact that a good portion of the show is set in a high school
environment. Their perfect school dances or town celebrations (which seem to
happen every other week) are never marred by any ugly men, slightly overweight
girls, or weird guys that attend the prom in their Jedi robes. One can only
assume that the whole high school is patrolled by very large burly men in suits
who linger slightly off camera and violently deny fatties and uggos their legal
right to a public school education.
"Lose twenty pounds, then you can have your math homework back." |
So, is Arrow any
better? In terms of the CW syndrome, a little. There are actually old people in
Arrow as opposed to young people
pretending to be old, though once again, it falls into the same traps. The
Queen family are all very beautiful (particulary Ollie’s younger sister, whose
only role in the show so far seems to be to whine and do drugs in short
skirts), though admittedly, the presence of money makes this far more
believable than in other shows. Ollie’s scars are notable as well: his
experiences on the island have ruined and scarred his body, but luckily his
torturers seemed to restrict themselves to areas that could be covered up by a
t-shirt. Chris told me the other day that Ollie’s scars seemed like they were
“painted by Michelangelo,” and he’s not wrong – half of the point of the scars
is to make him more rugged and appealing, I guess.
Now
while I could go on for quite a while about the flaws of the show and the
little ludicrosies that it implicitly asks me to put up with, I’m not going to.
That’s not to say they aren’t there – the show is pretty easy to mock and I may
do another thing later where I point out the things that are wrong with it –
it’s simply to say I forgive them because there’s one thing that Arrow is and Vampire Diaries isn’t: entertaining. It’s got a solid cast that
don’t always just gape at each other biting their lips, a continuing plot that
continues to unfold and draw me in, solid minor plots for each installment to
satisfy me at the end of each episode, and a decent amount of stylish action.
Ollie doesn’t run in, block a bullet, throw one guy and run back out. (Here’s
looking at you, Smallville.) He
runs, he fights, he sweats and he bleeds, albeit he does all those things in
the sometimes laughably attractive style of the CW.
This is why you don't let your junkie ward tattoo you. |
Overall, we’re nine episodes in (with the midseason premiere
airing the day after I’m writing this) and I’m still watching. Hell, I’m even
looking forward to its return tomorrow, which also features veteran Bat-
villain Firefly, because apparently Green Arrow’s rogues gallery can’t produce
enough decent villains for even half a season. But, before I sign off, I’d like
to write a quick wish list, just in the off chance that someone at CW is
reading.
1) Stop
calling Dinah ‘Laurel’. It’s silly. Just call her Dinah.
2) Give
Ollie’s sister more to do. You’re seeding some sort of plot there but she’s
quickly becoming annoying, so just make it happen already.
3) Give
Digg more screentime. He’s awesome.
4) Don’t
kill off all your villains… Your body count is pretty high for only half a
season. Keep the action up, but give Oliver some scary recurring threats, like
what you’re doing with Deathstroke.
5) Be
original! Not all of your episodes have to feature an already established comic
book character; I’m perfectly OK with seeing some stuff you came up with to fit
your world. Remember that some great comic book characters originated in other
media. Work on getting your name added to that list!
6) Vertigo!
Vertigo!
7) While
I realize your show is running partially on the success of the Nolan Batman
movies, don’t copy him so directly. You’re slowly developing your own tone and
mythos, but speed it up and differentiate yourself.
8) Get
rid of the silly make-up. I think the plan was that it looks less silly than
the sticky glue superhero mask that we all know and love, but it doesn’t. In
fact, it looks far, far worse. It’s very difficult to take Oliver seriously,
when there’s a big splat of green over his face in every action sequence.
OK, I think that’s all I have.
Quick thanks to coghillcartooning.com, comicsrecommended.com, and thecw.com for
the images and to all of you for reading what was mostly a rather pointless
article. If you enjoyed this, please comment, tell your friends, etc. and check back in a few days for more articles and podcasts. Ta-ra for now.
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